Artist Gallery Photo

Emmet Cohen Presents: Miles and Coltrane at 100

Thu, Apr 16 -
Sun, Apr 19, 2026




$45.00 Includes a $12.50 Handling Fee. All purchases are nonrefundable/nonexchangeable.

Tickets may be purchased on-line or by phone.
Night of show seating typically available.



Dimitriou's Jazz Alley welcomes one of the most dynamic youth jazz pianists and composers on the scene today, Emmet Cohen. Band members are Emmet Cohen (piano), Jeremy Pelt (trumpet), Tivon Pennicott (tenor saxophone), Ruben Rogers (bass), and Joe Farnsworth (drums). Show times Thursday and Sunday at 7:30pm. Show times Friday and Saturday at 7:30pm and 9:30pm. Doors open at 6:00pm Thursday and 5:30pm Friday - Sunday.
This show is supported by KNKX.

artist info

Multifaceted American jazz pianist and composer, Emmet Cohen is one of his generation's pivotal figures in music and the related arts.

Leader of the Emmet Cohen Trio and creator of the Masters Legacy Series, Cohen is an internationally acclaimed jazz artist, a dedicated educator, the winner of the 2019 American Pianists Awards, and a finalist in the 2011 Thelonious Monk International Piano Competition.

Cohen headlines regularly at Jazz at Lincoln Center, the Village Vanguard, and Birdland, and has appeared at the Newport Jazz Festival, Monterey Jazz Festival, and North Sea Jazz Festival among other renowned festivals.

His artistry has taken him to venues and festivals in over 30 countries. Cohen's entrepreneurial energies led to his developing "Live From Emmet's Place," a live-streamed "Harlem rent party" that unites a worldwide audience via tens of millions of internet views.

Besides leading the "Emmet Cohen Trio," Cohen has appeared regularly with Ron Carter, Benny Golson, Jimmy Cobb, George Coleman, Jimmy Heath, Tootie Heath, Houston Person, Kurt Elling, Billy Hart, and Brian Lynch, among others.

Emmet Cohen is a YAMAHA Artist. Cohen is managed by Bandstand Artists and represented by Epstein Fox Performances.

“When Cohen is in full flight, with Poole slamming the kit around the room behind him, he reminds me of Ahmad Jamal: not the genteel Jamal you hear on record, but the wall-banging, holy-shit Jamal I saw in concert a few years ago, who rolled across the keyboard like a thunderstorm.” – Phil Freeman, Stereogum

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