Artist Gallery Photo

Omar Sosa and Yilian Cañizares: Aguas

Tue, Mar 3 -
Wed, Mar 4, 2020




$30.50 ($6 Handling Fee Included) All purchases are nonrefundable/nonexchangeable.

Tickets may be purchased on-line or by phone.
Night of show seating typically available.



Dimitriou's Jazz Alley welcomes pianost Omar Sosa and violinst/vocalust Yillian Cañizares reflecting on the perspective of two generations of Cuban artists living outside their homeland, interpreting their roots and traditions in subtle and unique ways. Show times, Tuesday and Wednesday at 7:30pm. Doors open at 6:00pm each night.

artist info

Pianist Omar Sosa and violinist-vocalist Yilian Cañizares have come together to create Aguas, a beautiful and very personal album. Featuring their compatriot, percussionist Inor Sotolongo, Aguas reflects the perspectives of two generations of Cuban artists living outside their homeland, interpreting their roots and traditions in subtle and unique ways. Songs range from the poignant to the exuberant, and are expressive of the exceptional musical chemistry, poetic sensibilities, and originality of the artists.

The material on Aguas is an inventive and engaging mix of the artists’ Afro-Cuban roots, Western classical music, and jazz. The album is dedicated to Water, and especially to Oshun, the Goddess of Love and Mistress of Rivers in the Lucumí tradition of Yoruba ancestry known in Cuba as Santería – a spiritual practice important to both artists.

As water is synonymous with life, and energy, and strength, and space, the music of the album is inspired by the important influences of water – its hidden powers, its infinite transmutations, and its relentless creation. There is a sense, as well, for Omar and Yilian, of how water represents both separation from, and nostalgia for, the land of their birth.

The 11 tracks on Aguas were written and produced by Omar and Yilian, and recorded and mixed at Artesuono Studios in Udine, Italy by Stefano Amerio.

Composer-pianist-bandleader Omar Sosa was born in 1965 in Camagüey, Cuba’s largest inland city. At age eight, Omar began studying percussion and marimba at the music conservatory in Camagüey; in Havana, as a teenager, he took up piano at the prestigious Escuela Nacional de Música, and completed his formal education at the Instituto Superior de Arte in Havana. Among his influences, Omar cites traditional Afro-Cuban music, European classical composers (including Chopin, Bartok, and Satie), Monk, Coltrane, Parker, Oscar Peterson, Herbie Hancock, Chick Corea, Keith Jarrett, Chucho Valdés, and the pioneering Cuban jazz group Irakere.

Mr. Sosa received a lifetime achievement award from the Smithsonian Associates in Washington, DC in 2003 for his contribution to the development of Latin jazz in the United States. He has received two nominations from the BBC Radio 3 World Music Awards, in 2004 and 2006, both in the ‘Americas’ category. In 2003 Omar Sosa received the Afro-Caribbean Jazz Album of the Year Award from the Jazz Journalists Association in NYC for his recording Sentir; and a nomination from the Jazz Journalists Association for Latin Jazz Album of the Year in 2005 for his recording Mulatos.

"Yilian is one of the most incredible talents of the new generation of Cuban musicians. She is a virtuoso, she is expressive, spontaneous and with a grace that makes her the favorite of all of us." ~ Chucho Valdés

All those who have marveled at her fiery blend of jazz, classical and Afro-Cuban rhythms, who’ve got goosebumps from her otherworldly voice, will testify to feeling transformed. Whether onstage or on record there are few artists as impressively talented as Cañizares, a Havana-born, Swiss-based thirty-something with a respect for the past and a feel for the future - oh, and a smile to die for.

Two acclaimed albums, 2013's self-produced Ochumare and 2015’s Invocación, helmed by Alê Siqueira (Roberto Fonseca, Omara Portuondo) have strengthened Cañizares' reputation as a trailblazer and boundary crosser por excelencia. Not for nothing was she declared 'revelation of the year' by French weekly Le Novel Observateur: with her charisma, tapestry of influences and the ease with which she sings and plays violin simultaneously, Cañizares is a bona fide discovery.

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