Mon, Aug 3, 2015All purchases are non-refundable/non-exchangeable.
The Pacific Jazz Institute at Dimitriou's Jazz Alley welcomes vocal siren Halie Loren, touring in support of her new release Butterfly Blue. Band members are Halie Loren (vocals), Matt Treder (piano), Mark Schneider (bass) and Brian West (drums). Show time Monday at 7:30pm. Doors open at 6:00pm.
The first thing you notice is that voice: gorgeous, graceful, and somehow earthy and ethereal at once. It is an instrument perfectly matched to the songwriting talents of the artist who channels it — Halie Loren. Her music conveys the wonders of the invisible world: wounded defiance, stubborn love, hard-earned hopefulness.
Fed by the hyperborean beauty of her childhood Alaska home, Loren’s gift for discovering the playfulness, pizazz, and sensuality inherent in a lyric appeared early on. But it was her talent for turning those feelings into genre-defying original compositions — songs at once universal and deeply personal — that captured wider attention.
With purity of tone and rare interpretive prowess, she brings a fresh and original perspective to time-honored musical paths, channeling her innate understanding of connectedness across musical boundaries to forge bonds with diverse audiences in North America, Asia, and Europe.
Loren’s debut release of eleven original songs, Full Circle (2006), was hailed for exhibiting “a power and grace that are nearly unheard of in popular music.” Her sophomore album, They Oughta Write a Song (2008), brought to light her life-long love of jazz standards, and subsequently won a national independent music award for best vocal jazz album, and soon after received distribution in Asia by JVC/Victor Entertainment and in North America by Justin Time Records. Her holiday album with pianist Matt Treder, Many Times, Many Ways: a Holiday Collection, also recorded in 2008, was first released in limited edition, then followed with worldwide distribution in 2011. Her fourth CD, the live album Stages (2010), was met with critical praise, including being named as an Editor’s Pick at CD Baby and “best live album of the year” at Wildy’s World. After Dark followed in 2010, with the Loren original "Thirsty" winning the Independent Music Awards’ Vox Pop poll for best jazz song of the year.
In its savvy concoction of jazz standards, re-imagined pop classics, and shimmering new originals, 2012’s Heart First revealed a confidently maturing artist on her own heartfelt journey. Japan’s Jazz Critique magazine honored it as the best vocal jazz album of 2011. "Fly Me to the Moon", a bonus track, spent three weeks at No. 1 on the iTunes Japan jazz chart. It was among the top 10 jazz CDs in Hot New Releases at Amazon in the U.S. and Canada, and reached No. 1 on the iTunes Canada jazz albums chart.
Loren’s music has proven irresistible to concert halls, whose numbers now include performances with the Jazz Orchestra of Sicily, the Corvallis-OSU Symphony Orchestra in Oregon, and the Monroe Symphony in Louisiana. For the past three years she has traveled the world with the members of her original band, including Canada, Japan, Italy, China, Hong Kong, and South Korea.
The year 2013 brought Loren’s most varied and polished collection to date, Simply Love, with three sparkling new originals and ten radiantly re-imagined classics from contrasting eras of the American songbook. Released in Japan (on JVC/Victor) in June, it rose to the top of the Japan charts in pop and jazz even before its release date, and post-release rose to the No. 1 spot on Billboard Jazz / Japan. It entered iTunes Canada as #1 jazz album following its North American release (on Justin Time Records) in September. Singles included the string-infused original Cuando Bailamos, Carole King’s 1974 B-side hit I Feel the Earth Move, and the sweetly honest title track, which Loren co-wrote with Benita Hill.
Her newest release, Butterfly Blue, was released in Japan on January 21, 2015, and is set for a North American/Global release on June 9th. It debuted at #1 on Japan’s Billboard Jazz chart and has held steadily in the chart’s top 10 list ever since. The album ventures into some new recording territory for Loren, exploring her musical roots in not only jazz, but also in soul, blues, folk, and pop. Through a soundtrack that includes guitars, piano, organ, double-bass, horns (both in horn sections and solo brass and wind instrument features), cellos, and layered vocals, she and her band create a diverse and rich musical array of original songs (by Loren as well as songwriter Daniel Gallo), unique reads on standards, and little-known covers that have been long-treasured pieces of her repertoire. This collection shows a deeper, more nuanced side of Halie Loren’s maturing artistry, featuring strength and vulnerability in equal measures.
Halie has already begun touring this year in support of Butterfly Blue, kicked off by her biggest Japan tour to-date with 13 packed shows across Japan in February, with more touring planned in North America and beyond for the coming year.
Earl KlughThu, Apr 20 - Sun, Apr 23
Celebrating 41 years, Klugh is a master of nylon acoustic guitar and fingerstyle technique. “…a guitarist with impeccable technique.” – The New York Times
Lizz Wright with opener Beth WoodTue, Apr 25 - Thu, Apr 27
Star Tribune exclaims, “Wright is equally capable of impressing a distinctive original on your memory bank or reorienting a familiar contemporary song via her personalized treatment and testimony, which ranges naturally through gospel, folk, jazz and R&B idioms.”