Artist Gallery Photo

Tue, Apr 7 -
Wed, Apr 8, 2020




$34.50 ($6 Handling Fee Included) All purchases are nonrefundable/nonexchangeable.

Tickets may be purchased on-line or by phone.
Night of show seating typically available.



Dimitiriou's Jazz Alley welcomes Grammy-winning drummer, producer, educator, activist, and 2019 Doris Duke Award recipient, Terri Lyne Carrington with her new band Social Science, on tour in support of their 2019 release "Waiting Game." Show times Tuesday and Wednesday at 7:30pm. Doors open at 6:00pm each night.

artist info

GRAMMY Award-winning drummer, producer, educator, activist and 2019 Doris Duke Award recipient, Terri Lyne Carrington debuts new band Social Science, to boldly confront social justice issues with the eclectic collaborative double album, Waiting Game, released November 8, 2019 on Motéma Music.

Galvanized by seismic changes in the ever-evolving social and political landscape, Terri Lyne Carrington and Social Science confront a wide spectrum of social justice issues. The band’s stunning double disc debut, Waiting Game, immediately takes its place in the stirring lineage of politically conscious and activist music, expressing an unflinching, inclusive and compassionate view of humanity’s breaks and bonds through an expansive program melding jazz, R&B, indie rock, contemporary improvisation, and hip-hop.

Released via Motéma Music, Waiting Game is as thought-provoking and artistically evocative as it is musically exhilarating. Produced by Carrington and built around her friendship and collaboration with co-producers, pianist Aaron Parks and guitarist Matthew Stevens, and additional band members Morgan Guerin (bass & sax), Debo Ray (vocals) and Kassa Overall (MC/DJ), the album features a diverse ensemble that spans multiple generations, racial, ethnic, sexual and gender identities. The band states: ‘Along with a message of wakefulness, inclusiveness, and noncompliance, we’ve summoned our musical influences to offer an eclectic alternative to the mainstream. Music transcends, breaks barriers, strengthens us, and heals old wounds. Music is Social Science.’

As Social Science was in its early stages, Carrington also founded the Institute of Jazz and Gender Justice at Boston’s Berklee College of Music, where she holds the position of Zildjian Chair in Performance. Both projects point to Carrington’s drive to combine her musical passion with her profound regard for humanity, inflamed by the cultural divisiveness brought into the light by the 2016 presidential election. ‘I think there’s an awakening happening in society in general,’ she says. ‘I feel a calling in my life to merge my artistry with any form of activism that I’m able to engage in.’

Waiting Game is not the first time that Carrington has addressed her concerns for society, though it is the most direct and impactful. On her 2013 release Money Jungle: Provocative in Blue (GRAMMY winner for Best Jazz Instrumental Album), she offered a 21st-century re-imagining of the Ellington-Mingus-Roach classic with a jaundiced eye on late-stage capitalism. Her previous and first Grammy-winning album, The Mosaic Project (2012) let its all-star, all-female ensemble speak for itself, though its argument for gender equity in jazz rang through loud and clear.

Sonically, Waiting Game is a vivid reflection of the broad horizons of the band’s musical tastes, embellished and amplified by their receptiveness to dynamic collaboration. In regard to Carrington, this outing’s genre-blurring blend is more dazzling and expansive than anything she’s done in the past; what’s most impressive about Waiting Game is the way that it allows Carrington’s social consciousness to catch up to her virtuosic musicianship.

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