Thu, Jan 23 -
Doors open at 5:30 PM each night.
Sun, Jan 26, 2014
First sets begin at 7:30 PM, and second sets (when applicable) begin at 9:30 PM (doors: 9:15 PM).
The Pacific Jazz Institute at Dimitriou's Jazz Alley welcomes acoustic jazz guitarist Peter White touring in support of his latest release, Here We Go. Band members are Gregg Karukas (keys), Nate Phillips (bass), Michael Paulo (sax), and Eric Valentine (drums ). Show times are 7:30pm Thursday and Sunday and 7:30pm and 9:30pm Friday and Saturday. Doors open at 5:30.
Nominated for Centric's 2012 Soul Train in the category for Best Contemporary Jazz Artist/Group, Peter White has maintained a reputation as one of the most versatile and prolific acoustic guitarists on the contemporary jazz landscape. Armed with an unparalleled combination of lyricism and energy, he combines elements of jazz, pop and classical guitar to create a sound that is singular and at the same time accessible to a broad audience.
A sense of adventure is at the heart of White’s thirteenth solo recording, Here We Go (2012). The 11-song set, co-produced by White and DC (George Benson, Larry Carlton, Bob James, Patty Austin), features several high-profile guest musicians, including saxophonists David Sanborn and Kirk Whalum, and pianist Philippe Saisse, and includes a range of original material written in the recent and distant past. “I wanted variety,” says White. “I wanted songs that moved me, in the hopes that they’ll move the listener as well. I’m on a journey, and I want to bring with me anyone who’s willing to follow.”
Like his previous album, Good Day (2009), Here We Go is a collection of songs written and recorded to move people on a level that’s beyond any preconceived concepts. “When I start recording, I don’t have a vision,” White freely admits. “I just go with the moment – what feels good, what sounds good. The vision comes out of the music. The music doesn’t come out of the vision.”
In a career that spans nearly four decades, over a dozen solo recordings and countless performances, White insists that it’s the faces in the crowd and the fans that keep the experience fresh. “I’ll play a live show, and someone will come to me afterward and say, ‘Oh, I loved this CD,’ or ‘This song helped me through a bad time,’” he explains. “Or I get emails from people saying, ‘Oh, I love the way you covered one of my favorite songs on your record back in 1994.’ The idea that someone can write me an email and tell me about something I did on a record that was released fifteen years ago – you can’t buy that. That’s priceless. That’s what keeps me going – the idea that people out there really care about what I do, the idea that I’ve made a difference for someone.”
Orquesta AragónTue, Apr 22 - Wed, Apr 23, 2014
Known as La Madre de Charanga Cubana (The Mother of The Cuban charanga) as well as La Charanga Eterna (The Eternal Charanga), Orquesta Aragon are the masters of every Cuban style and not afraid to show their versatility with sparkle and flair.
Regina Carter's Southern ComfortThu, Apr 24 - Sun, Apr 27, 2014
Congratulations to Regina Carter for just being named "Violinist of the Year" in the 18th annual Jazz Journalists Association Jazz Awards for Music and Recording.
"A talented, charismatic player who is almost single-handedly reviving interest in the violin as a jazz instrument."
- Los Angeles Times
Tune in for a live in-studio performance at KPLU 88.5 Friday,
April 25 at 12:15pm!